Realization of game structures in instrumental concert (examples of concerts for bayan with orchestra)

https://doi.org/10.20339/AM.07-18.080

A.A. Nizhnik is Cand.Sci. (Arts), doc., head of sub-faculty e-mail: artem.nyzhnyk@gmail.com ; and

M.I. Sharabarin is doc. of sub-faculty e-mail: mixailsharabarin@mail.ru

at Belgorod State University of Arts and Culture

Analyzed is play origin as one of significant signs of instrumental concert, defining semantic core of genre. The authors reveal both poly-semantic of the meaning of “play”, as well as different meanings of this term, determining wide range of it’s interpretations in musicological literature. Actuality of the work is determined by necessity of theoretical understanding of contemporary bayan repertoire and it’s correlation with academic genre-stylistic context. Significance of the work is determined by important role of subject of concert in panorama of bayan genres, it’s high conceptuality and continuity with highest achievements of academic tradition. Results of the work make possible to classify implementation of play structures in concerts for bayan and orchestra.

Key words: bayan, duet, play, concert, orchestra, soloist, competition, structure.

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